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Products

• Capillary Film
  • Magna/Cure®
  • Pro/Cap®
• Presensitized Film
  • Super Phat
• Direct/Indirect Stencil System
• Indirect Film
  • Reflex™ SR
• Direct Emulsion
  • Chroma/Tech PL
  • Chroma/Tech PL 2
  • Spike CT-420D
  • Chroma/Tech SR
  • Chroma/Blue
  • UDC HV
  • Spike UDC-420D
  • UDC-2
  • UDC-ACE
  • UDC-3
  • MAX-R
  • CP2
  • Direct to Screen
• Razor Emulsion
  • Razor 8X
  • Razor 12X
• Screen Chemicals
  • Chroma/Strip
  • Chroma/Clean
  • Chroma/Wet
  • Chroma/Haze
  • Chroma/Set
  • Chroma/Brade
  • Chroma/Fill
  • Chroma/Stain Remover 560 Red
  • Chroma/Stain Remover 560AD Pink
  • Chroma/Stencil Remover 100
  • Chroma/Stencil Remover 285
  • Chroma/Block Out 750 Filler
  • Chroma/Press Wash 450
  • Chroma/Press Wash 470
  • Chroma/Press Wash 495
  • Chroma/Screen Wash 6050
  • Chroma/Screen Wash 730
  • Chroma/Screen Wash 920
  • Chroma/Screen Wash 927
  • Chroma/Citra-Klean 2000
  • Chroma/Millennia Clean
  • Chroma/Squeegee Wash
  • Chroma/Pre-Mask 3020 PD
• Inkjet Media
  • AccuArt 3
  • AccuArt 2
  • AccuBlack
  • AccuMark
  • AccuVision
• Technical & Training Tools
  • UV Minder
  • Exposure Calculator
  • Troubleshooting Guide
• Image Mate Product Line

Where to Buy

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• International
  • Argentina
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  • Spain
  • Sweden
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  • Taiwan
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  • U.A.E.
  • United Kingdom
  • Ukraine
  • Venezuela
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About Chromaline

Training Center

• Technical Articles
  • Testing Exposure Equipment
  • How to Dry a Screen
  • How to an Exposure
  • Calculator
  • Swell Testing Capillary Films
  • Basic Training, Parts I, II, & III
  • Develop Pinholes on Press
  • Underexposed Stencil Problems
  • Applying Capillary Film
  • Humidity Problems & Solutions
  • Viscosity & Solids Misconceptions
  • Quality: The Winning Run
  • Coating Consumption
  • Proper Exposure
  • Comparing Exposure Units
  • Selecting an Emulsion System
  • Essential Tools for Screen Printers
  • Determining Proper Exposure
  • Working with MAX-R Products
  • Introduction to PHAT Film
• Product Literature
  • Catalog & Price List
  • Emulsions
  • Films
  • Direct/Indirect Stencil System
  • Screen Chemicals
  • Inkjet Media
• Troubleshooting Tips
  • Washout Breakdown—Loss of Adhesion During Developing
  • Scumming or Haze
  • Weak Stencil
  • Washout Difficult—During Developing
  • Poor Image—Sawtooth
  • Pinholes
  • Undercutting
• Screen FAQS
  • How do I read your lot numbers?
  • What is the "shelf-life" of your products?
  • Where can I find distributors for your product?
  • Which stencil system is better, capillary film or direct emulsion?
  • How can I tell if my screen is underexposed?
  • Why does my dual cure emulsion break down with water-based ink?
• AccuArt FAQs
  • What’s the difference between the AccuArt products?
  • What are the benefits of a waterproof film?
  • What side of the film do I print on?
  • Do I need a special printer to use these films?
  • Do I need any special software to use these films?
  • Why do I have to use dye-based inks with these films?
  • I tried printing out a positive and the image quality is not good. What am I doing wrong?
  • I tried printing out a positive and it’s not very dense. Why?
  • What are the advantages positives created by inkjet printers?
  • Are my inkjet positives reusable? How do I store them?

Contact

• Sales
  • John Bejar
  • Mark Dailey
  • Tim Higgs
  • Larry Tywater
  • Marty Medvetz
  • Craig Scherer
• Marketing
• Technical Support
• International
• Customer Service
• Corporate